A longtime fan of the Western,
Quentin Tarantino named the protagonist in his new film Django, in honor of the iconic cowboy first played by Italian actor
Franco Nero.
Yet in crafting the lead character, Tarantino followed no particular
model or template, instead choosing to create a fresh, 21st century
version of the frontier, vigilante hero.
But the man who would eventually play the slave-turned-bounty hunter,
Jamie Foxx, did have a few role models and visions.
"There are a few people that I would privately look at. Of course,
Denzel Washington in
Glory, I would also look at
Tombstone, I would also look at
New Jack City," the Oscar winner told
The Hollywood Reporter at the film's premiere on Tuesday. "During the whole taping, whenever it was action scenes, I listened to
Biggie on the set. So we played, 'The weak and the strong, you've got it going on, you're dead wrong.' "
As a Grammy winner who also won an Oscar for portraying
Ray Charles,
Foxx found music a constant source of inspiration and a steadying frame
of reference. As the scenes shifted from action to romance, the genre
of his warm-up tunes changed as well.
"When
Kerry Washington saw me -- when Broomhilda
sees Django for the first time -- I played some music before she saw me,
it was Faith," he said, referring to singer
Faith Evans, before breaking into song. Broomhilda is Django's wife, and freeing her from the ranch of the evil Calvin Candie (
Leonardo DiCaprio) was Django's driving motivation.
Washington spent much of her time on camera being tortured, either
physically or mentally, and Foxx, as Django, suffered his own
indignities, with whips and shackles. Despite all the difficult-to-watch
depictions of slavery and the brutality with which masters treated
their slaves, Foxx held some hope in his heart -- with some help from a
friend.
"I would wear Sean Jean clothes just to sort of like, for one, Puffy
is a friend, a black man doing his thing," Foxx explained. "So I would
wear his clothes and I would be like, 'Listen, I'm not trying to be
weird on you,' I told him, I wore it as sort of a representation from
the future to the past of where we were actually going: to where a black
man can own his own company, do records, own all these different
things. So there were these little things that I would take along with
me to push the character forward."